The stories are mostly very short, and told in the first person, by the girl - or woman - at the centre of them. At the end of each tale, the other woman in the story - whether witch, godmother, mentor, lover or rival - tells them their own story, about their past and how they came to be as they were, or possibly just about their past life (including some animal characters). And on and on, back through the generations, until it ends with a woman in a cave, a witch who has been kissed, longing for a girl with red hair who loves everything and has no story to tell.
I like the way that the original stories are deconstructed, and gently shaken and turned around. In most cases, the witch is not the monster and the prince is not the happily ever after - but he is generally not blamed for this either. It's not his fault that girl after girl has grown up believing she must marry the prince, after all.
There is no magic, and few perfect endings - in fact, due to the recursive nature of the stories, we already know the end of each one, when each character has moved into someone else's story. The repetitive first person narrative does blur some of them together, but it also makes the differences stand out. And it means that the teller can't hide from what they're telling you.
A girl sees her brother taken by a woman in sled and goes looking for him, but doesn't find him until a rough girl with a knife tells her to look back where he was taken. And then she follows the woman back to her home, and finds her brother happy and well, and the woman opens her arms to this second child. And the Snow Queen explains that she longs for children, and was empty, and tells of her past...
...of a time when she did nothing but spin for her mother, miserably, endlessly, while her mother cursed her to her face and praised her skills to the heavens when calling up customers. And then her mother dies, leaving her with mountains of flax to spin. And she hires a simple girl, keeping her with promises of sisterhood and friendship, and finally the promise of her firstborn, and the girl spins for her, until she falls pregnant, and finally, as her Rumpelstiltskin walks away with her unwanted babe, she realises what she has lost. But it's too late - although, before she walks away forever, the simple girl tells her of her childhood.
Gretel is simple, damaged, and tells her tale of abandonment and a protective brother in a halting pidgin. They find a house with walls like gingerbread, whose owner jokes with her about the rest being made of sweets and takes them in. Until the brother makes unwelcome advances and then it's just the woman and the girl. And the woman tells her story...
...of being a princess, whose father went mad when he lost his queen and mistook her for his wife come again. And courted her with three dresses each of gold, silver and stars and the hide of his beloved donkey, and she ran away with them and eventually became a scullery maid, and then a mysterious princess, but her prince didn't recognise her under the dirt, so she went back to the wise woman who had helped her survive.
And the wise woman told her ...
And so on. All the way back to the very first story, of how came to be the barren woman who later was the witch for the girl from beside the sea, who gave her voice and walked her feet raw for her prince.
There are thirteen stories.
- The Tale of the Shoe - Cinderella
- The Tale of the Bird - Thumbelina
- The Tale of the Rose - Beauty and the Beast
- The Tale of the Apple - Snow White
- The Tale of the Handkerchief - the Goosegirl
- The Tale of the Hair - Rapunzel
- The Tale of the Brother - The Snow Queen
- The Tale of the Spinster - Rumpelstilskin
- The Tale of the Cottage - Hansel and Gretel
- The Tale of the Skin - Tattercoat, or Donkeyskin
- The Tale of the Needle - Sleeping Beauty
- The Tale of the Voice - The Little Mermaid
- The Tale of the Kiss - ...I'm not sure if this is a fairytale at all.
Kissing the Witch is not available on the Kindle, only as a book on Amazon.
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